Seriously, he’s picked up where PERTURBATOR left off after “New Model” (this album is heavy metal to me). It’s hard, it’s big, it’s loud, it’s ratcheting, and has all the space and pomp you would expect of a spacepunk soundtrack.
I’m happy where Carpenter Brut is going these days. He’s perfecting his synthwave sound. Part Giallo, part John Carpenter, part Moroder, part Vangelis. It’s all that I wanted to create my entire time of writing Glass Door songs, but never had the grit or honesty to achieve.